S.No.
|
Name of Award
|
Name of Film
|
Awardees
|
Medal
&
Cash Prize
|
Citation
|
1.
|
BEST FEATURE FILM
|
Court
(Marathi,
Hindi, Gujarati & English)
|
Producer:
Zoo
Entertainment Pvt. Ltd.
Director
:
Chaitanya
Tamhane
|
Swarna
Kamal and
2,50,000/-
each to
the
Producer and Director
|
COURT is a powerful and stark depiction of the mundaneness of judicial
procedure revealed brilliantly by the film’s form, forcing us to reflect on
the heart-wrenching insensitivity of institutional structures.
|
2.
|
INDIRA GANDHI AWARD FOR BEST DEBUT FILM OF A DIRECTOR
|
Asha
Jaoar Majhe
(Bengali)
|
Producer:
F.O.R
Films Pvt. Ltd.
Director
:
Aditya
Vikram Sengupta
|
Swarna Kamal and
1,25,
000/- each to
the Producer and Director
|
For the portrayal of routine
ordinary life with extraordinary cinematic finesse.
|
3.
|
BEST POPULAR FILM PROVIDING WHOLESOME ENTERTAINMENT
|
Mary
Kom
(Hindi)
|
Producer:
Viacom
18 Motion Pictures
Director
:
Omung
Kumar
|
Swarna Kamal and
2,00,000/-
each to
the Producer and Director
|
For an inspiring tale of a woman who becomes a national icon through her
determined pursuit of sporting excellence.
|
4.
|
BEST FILM ON SOCIAL ISSUES
|
Chotoder Chobi
(Bengali)
|
Producer:
Shree
Venkatesh Films Pvt. Ltd.
Director
:
Kaushik
Ganguly
|
Rajat Kamal and
1,50,000/-
each to
the Producer and Director
|
For its
empathetic portrayal of marginalized people and their struggle for a life of
dignity.
|
5.
|
BEST FILM ON ENVIRONMENT CONSERVATION/
PRESERVATION
|
Ottaal
(Malayalam)
|
Producer:
Director
Cutz Film Company (P) Ltd.
Director
:
Jayaraj
|
Rajat Kamal and
1,50,000/-
each to
the Producer and Director
|
Ottal, a visual poem, expresses the beauty and serenity of the
protagonist’s rural environment and a way of life whose value is measured by
the poignancy of its loss.
|
6.
|
BEST CHILDREN’S FILM
|
Kaakkaa
Muttai
(Tamil)
&
Elizabeth Ekadashi
(Marathi)
|
Producer:
Grass
Root Film Company
Director
:
Manikandan
M
&
Producer:
Essel
Vision Productions Ltd.
Director
:
Paresh
Mokashi
|
Swarna Kamal and
1,50,000/-
each to
the Producer and Director
(Cash component to be shared between
films)
|
Kaakkaa Muttai for narrating a charming story of two brothers who are
unaware of their deprived status and have a confrontation with the
tastelessness of globalization.
Elizabeth Ekadashi is a delightful tale that reaffirms children's
ability to negotiate the complexities of life with relative ease.
|
7.
|
BEST
DIRECTION
|
Chotushkone
(Bengali)
|
Srijit
Mukherji
|
Swarna Kamal and
2,50,000/-
|
For its
brilliantly reflexive use of the cinematic idiom through a playful and
innovative mise-en-scene that tautens to an unexpected and gripping climax.
|
8.
|
BEST ACTOR
|
Nanu Avanalla Avalu (Kannada)
|
Vijay
|
Rajat Kamal and
50,000/-
|
For his subtle
and non-stereotypical playing of a woman trapped in a man’s body, portraying
a gamut of emotions as s/he struggles through confusion, rejection and
humiliation to finally chart her own course with confidence and dignity.
|
9.
|
BEST
ACTRESS
|
Queen
(Hindi)
|
Kangana
Ranaut
|
Rajat Kamal and
50,000/-
|
For an endearingly etched out performance that is grounded in contextual
specificity and at the same time is disarmingly spontaneous as to appear
almost improvisatory.
|
10.
|
BEST
SUPPORTING ACTOR
|
Jigarthanda
(Tamil)
|
Bobby
Simhaa
|
Rajat Kamal and
50,000/-
|
For an engaging
portrayal of a dreaded Mafia don who plays both the villain and the comic
with a rare flamboyance and abandon.
|
11.
|
BEST
SUPPORTING ACTRESS
|
Pagdi
The Honour
(Haryanavi)
|
Baljinder
Kaur
|
Rajat Kamal and
50,000/-
|
For a very
expressive performance as a gritty rustic woman who struggles as wife and
mother to keep her family intact in a society obsessed with patriarchal
honour.
|
12.
|
BEST
CHILD ARTIST
|
Kaakkaa
Muttai
(Tamil)
|
J. Vignesh
&
Ramesh
|
Rajat Kamal and
50,000/-
(cash component to be shared)
|
For their
portrayal of inseparable siblings living in a slum who innocently struggle
with rare dignity to acquire what attracts them in this vast market of
products unleashed by a liberal economy only to realise the harsh reality of
invincible class boundaries.
|
13.
|
BEST MALE PLAYBACK SINGER
|
Haider
(Hindi)
|
Sukhwinder
Singh
(Song:
Bismil)
|
Rajat Kamal and
50,000/-
|
For a powerful rendition which
effectively reflects the agony and anger of the protagonist.
|
14.
|
BEST FEMALE PLAYBACK SINGER
|
Saivam
(Tamil)
|
Uttara Unnikrishanan
(Song:
Azhagu)
|
Rajat Kamal and
50,000/-
|
For evoking an emotional resonance
through the purity and innocence of her voice.
|
15.
|
BEST CINEMATOGRAPHY
|
Chotushkone
(Bengali)
|
Sudeep
Chatterjee
|
Rajat Kamal and
50,000/-
each
|
For exhibiting a wide spectrum of
space and time while effortlessly knitting the emotional fabric of the
film.
|
16.
|
BEST SCREENPLAY
i)
Screenplay Writer (Original):
ii)
Screenplay Writer (Adapted) :
iii)
Dialogues :
|
i.
Chotushkone
(Bengali)
ii.
Ottal
(Malayalam)
iii.
Haidar (Hindi)
|
Srijit Mukherji
Joshy Mangalath
Vishal
Bhardwaj
|
Rajat Kamal and
50,000/-
Rajat Kamal and
50,000/-
Rajat Kamal and
50,000/-
|
Chotushkone for the masterful telling of a taut suspense thriller
which weaves a sinister web around the journey and lives of four egotistical
characters.
Ottal for beautifully
transposing Anton Chekov’s short story
onto a canvas of nature that enhances the shades of the original.
Haider for the multi layered and resonant dialogues that evoke angst
and passion with crispness and brevity.
|
17.
|
BEST AUDIOGRAPHY
i)
Location Sound Recordist
ii)
Sound Designer
iii)
Re-recordist of the final mixed track
|
i.
Khwada
(Marathi)
ii.
Asha Jaoar Majhe
(Bengali)
iii.
Nirbashito (Bengali)
|
Mahaveer
Sabbanwal
Anish John
Anirban Sengupta & Dipankar Chaki
|
Rajat Kamal and
50,000/-
Rajat Kamal and
50,000/-
Rajat Kamal and
50,000/-
|
Khwada for its excellent
live sound quality which skillfully
captures all the ambient sounds
with the right tonal balance.
Asha Jaoar Majhe for creating a brilliant soundscape which enhances
the narrative even in the
absence of the spoken word.
Nirbashito for the seamless movement from chaos into the quietness of
solitude while integrating various elements of sound.
|
18.
|
BEST EDITING
|
Jigarthanda (Tamil)
|
Vivek Harshan
|
Rajat Kamal and
50,000/-
|
For structuring the
different narratives of raw cruelty and urban cunning
that eventually intermingle with positive and humourous overtones
through skillful editing.
|
19.
|
BEST PRODUCTION DESIGN
|
Nachom – IA Kumpasar
(Konkani)
|
Aparna Raina
|
Rajat Kamal and
50,000/-
|
For convincingly recreating spaces from a different era and with minute
attention to detail.
|
20.
|
BEST COSTUME DESIGNER
|
Haider (Hindi)
|
Dolly
Ahluwalia
|
Rajat Kamal and
50,000/-
|
For capturing the essence of the characters and moods with creative flourish.
|
21.
|
BEST MAKE-UP ARTIST
|
Nanu Avanalla Avalu (Kannada)
|
Nangaraju
&
Raju
|
Rajat Kamal and
50,000/-
|
For the realistic creation of gender duality in a character
through different phases of life.
|
22.
|
BEST MUSIC DIRECTION
a) Songs
b) Background
Score
|
Haider
(Hindi)
Nineteen
Eighty Three (Malayalam)
|
Vishal
Bhardwaj
Gopi
Sunder
|
Rajat Kamal and
50,000/-
Rajat Kamal and
50,000/-
|
For developing the conflict of the
inner and outer landscape through haunting music.
For maintaining the tempo of the film with an in-sync background score.
|
23.
|
BEST LYRICS
|
Saivam
(Tamil)
(Azhagu)
|
NA.
Muthukumar
|
Rajat Kamal and
50,000/-
|
For embodying the
world as seen through the eyes of a child using common place images to make
an appeal to an adult world.
|
24.
|
SPECIAL JURY AWARD
|
Khwada
(Marathi)
|
Director:
Bhaurao
Karhade
|
Rajat Kamal and
2,00,000/-
|
For a hard-hitting but restrained
narration of the harsh realities of a nomadic shepherd community who are in
search of stability.
|
25.
|
BEST CHOREOGRAPHY
|
Haider
(Hindi)
(Bismil)
|
Sudesh
Adhana
|
Rajat Kamal and
50,000/-
|
For the evocative fusion of
performative grammars, interweaving a staccato whirling of masculinised bodies with larger than life
puppets, to create a dance that is firmly embedded within the
narrative.
|
26.
|
BEST FEATURE FILM IN EACH OF THE LANGUAGE
SPECIFIED IN THE SCHEDULE VIII OF THE CONSTITUTION
|
a)
|
BEST ASSAMESE FILM
|
Othello
|
Producer:
Artha Films
Director
:
Hemanta
Kumar Das
|
Rajat Kamal and
1,00,000/-
each
to the Producer and Director
|
For its
tangential evocation of the Shakespeare play as it explores mistrust and
prejudice in a society ridden with political turmoil.
|
b)
|
BEST BENGALI FILM
|
Nirbashito
|
Producer:
Kaushik
Ganguly Productions
Director
:
Churni
Ganguly
|
Rajat Kamal and
1,00,000/-
each
to the Producer and Director
|
For its poignant articulation of
the suffocation one experiences when exiled in a land that is not one’s own,
as a price that is paid for asserting one’s right to freedom of expression.
|
c)
|
BEST HINDI FILM
|
Queen
|
Producer:
Phantom
Films Pvt. Ltd. & Viacom 18 Motion Pictures
Director
:
Vikas
Bahl
|
Rajat Kamal and
1,00,000/-
each
to the Producer and Director
|
For a delightful
portrayal of a young girl who emerges from her cocoon of diffidence and
middle-class mores to discover the pleasure and fulfillment of a life lived
on her own terms.
|
d)
|
BEST KANNADA FILM
|
Harivu
|
Producer:
Om
Studio
Director
:
Manjunath
S. (Mansore)
|
Rajat Kamal and
1,00,000/-
each
to the Producer and Director
|
For the lingering
pathos of a father’s struggle to provide medical treatment to his only child
and his long trek back home with his son’s corpse.
|
e)
|
BEST KONKANI FILM
|
Nachom – IA Kumpasar
|
Producer: Goa Folklore Productions
Director:
Bardroy
Barretto
|
Rajat Kamal and
1,00,000/-
each
to the Producer and Director
|
For its nostalgic
recovery of a distinctive musical legacy, as told through the rollercoaster
lives of its practitioners, that has remained unsung despite its influence
upon Bombay cinema.
|
f)
|
BEST MALAYALAM FILM
|
Ain
|
Producer: 1: 1: Enternatments
Director:
Sidhartha
Siva
|
Rajat Kamal and
1,00,000/-
each
to the Producer and Director
|
For its gently nuanced narrative
in which a carefree young man embraces responsibility and compassion for the
lives of others.
|
g)
|
BEST MARATHI FILM
|
Killa
|
Producer:
JAR
Pictures & M R Film Works
Director:
Avinash
Arun
|
Rajat Kamal and
1,00,000/-
each
to the Producer and Director
|
For its warm
portrait of a young boy as he emerges from the shadows of dislocation and
loss in an unfamiliar environment to embracing what life has to offer.
|
h)
|
BEST ODIYA FILM
|
Aadim
Vichar
|
Producer:
Mohapatra
Movie Magic Pvt. Ltd.
Director:
Sabyasachi
Mohapatra
|
Rajat Kamal and
1,00,000/-
each
to the Producer and Director
|
For its vibrant portrayal of a tribal community whose enabling humanism shows
a way out of pettiness and prejudice.
|
i)
|
BEST PUNJABI FILM
|
Punjab
1984
|
Producer:
White
Hill Production India Pvt. Ltd.
Director:
Anurag
Singh
|
Rajat Kamal and
1,00,000/-
each
to the Producer and Director
|
For its searing
portrayal of how ordinary lives and simple dreams are shattered in a time of
militancy.
|
j)
|
BEST
TAMIL FILM
|
Kuttram
Kadithal
|
Producer:
JSK
Film Corporation
Director:
Bramma.G
|
Rajat Kamal and
1,00,000/-
each
to the Producer and Director
|
For the pervasive
empathy with which it examines the guilt and the anger that follows upon a
school teacher’s impulsive slapping of a student.
|
k)
|
BEST
TELUGU FILM
|
Chandamama
Kathalu
|
Producer: Working Dream Production
Director: Praven
Sattaru
|
Rajat Kamal and
1,00,000/-
each
to the Producer and Director
|
For its skilful
interweaving of stories featuring a variety of characters bound together by a
common anxiety about securing their future.
|
27.
|
BEST FEATURE FILM IN EACH OF THE LANGUAGE
SPECIFIED OTHER THAN SCHEDULE VIII OF THE CONSTITUTION
|
a)
|
BEST HARYANVI FILM
|
Pagdi The Honour
|
Producer: V R Entertainers
Director:
Rajeev
Bhatia
|
Rajat Kamal and
1,00,000/-
each
to the Producer and Director
|
For capturing honestly the
abrasive fabric of a patriarchal society that places an inordinate premium on
honour, and also offering the possibility of liberation through an acknowledgement
of others’ pain.
|
b)
|
BEST RABHA FILM
|
Orong
|
Producer: Suraj Kr. Duwarah,
Aucto
Creation
Director:
Suraj
Kr. Duwarah
|
Rajat Kamal and
1,00,000/-
each
to the Producer and Director
|
For its sensitive portrayal of a
young man as he drifts through a life that offers little promise or
excitement.
|
28.
|
SPECIAL MENTION
|
a)
|
|
Ain (Malayalam)
|
Musthafa
|
CERTIFICATE
|
For the minute
and nuanced manner in which he assays the imperceptible transformation of a
carefree youth into a compassionate and responsible young man.
|
b)
|
|
Nachom – IA Kumpasar
(Konkani)
|
Palomi Ghosh
|
CERTIFICATE
|
For her
extraordinarily energetic performance as a girl whose infectious passion for
singing and love comes at enormous personal cost.
|
c)
|
|
Killa (Marathi)
&
Bhootnath Returns (Hindi)
|
Parth Bhalerao
|
CERTIFICATE
|
For lovable
portrayals with rare aplomb of an impish and caring child in both Killa and
Bhootnath Returns.
|
|
|
|
|
|
|
|
S. No.
|
Name
of Award
|
Name
of Film
|
Awardee
|
Medal
& Cash Prize
|
Citation
|
1.
|
BEST
NON FEATURE FILM
|
Tender
is the Sight
|
Producer: Films Division
Director: Torsha Banerjee
|
SWARNA
KAMAL
&
1,50,000/-
each
to the Producer & Director
|
For
its sensitive and lyrical portrayal of ten-year-old Hassirbullah, who, though
visually challenged, creates a symphony of sounds. The film captures his
universe, his life and his talent, softly and gently.
|
2.
|
BEST
DEBUT FILM OF A DIRECTOR
|
Goonga
Pahalwan
|
Producer: Drishti Media
Director: Mit Jani, Prateek Gupta
& Vivek Chaudhary
|
RAJAT
KAMAL
&
75,000/- each to the
Producer &
Director
*
|
For
its fun, yet mature portrayal of its protagonist, a champion at the Deaf
Olympics. It pointedly questions the politics that impede this capable
athlete’s route to the Rio Olympics.
|
3.
|
BEST
ANTHROPOLOGICAL/
ETHNOGRAPHIC
FILM
|
Qissa
– e – Parsi : The Parsi Story
|
Producer: Public Service Broadcasting
Trust
Director:
Divya
Cowasji & Shilpi Gulati
|
RAJAT
KAMAL
&
50,000/- each to the
Producer
&
50,000/- Director *
|
For
its light-hearted yet comprehensive telling of the story of India’s much
loved community, the Parsis. It explores their history, the philosophy of
their faith, their enterprise and their way of life, with delight and
laughter.
|
4.
|
BEST
BIOGRAPHICAL/ HISTORICAL RECONSTRUCTION
|
Aamaar
Katha : Story of Binodini
|
Producer:
Films
Division
Director: Tuhinabha Majumdar
|
RAJAT
KAMAL
&
50,000/- each to the
Producer & Director
|
For its stylistic and poetic portrayal of the
19th century theatre actress Binodini Devi’s autobiography.
|
5.
|
BEST
ARTS /CULTURAL FILM
|
Kapila
|
Producer:
Films
Division
Director: Sanju Surendran
|
RAJAT
KAMAL
&
50,000/- each to the
Producer & Director
|
For its unique and expressive rendering of
Kapila’s sheer artistry over Kudiyattam, the world’s oldest theatrical art
form.
|
6.
|
BEST
PROMOTIONAL FILM (to cover tourism, exports, crafts, industry etc)
|
Documentation
of Clay Image Makers of Kumartuli
|
Producer:
Indira
Gandhi National Centre for the Arts
Director: Ranajit Ray
|
RAJAT
KAMAL
&
50,000/- each to the
Producer & Director
|
For
its extensive study of the craft and community of the clay makers in the
context of changing times.
|
7.
|
BEST
ENVIRONMENT FILM INCLUDING AGRICULTURE
|
I
Cannot Give You My Forest
|
Producer: Top Quark Films Pvt. Ltd.
Director: Nandan Saxena & Kavita
Bahl
|
RAJAT
KAMAL
&
50,000/- each to the
Producer & Director
|
For
its concerned and empathetic exploration of the tribal communities in
Rayagada, Orissa, who derive their sustenance and identity from the forest.
|
8.
|
BEST
FILM ON SOCIAL ISSUES
|
Can’t
Take This Shit Anymore
&
Daughters
of Mother India
|
Director: Vinod Kapri
Producer:
Bhagirathi
Films
Director:
Vibha Bakshi
Producer: V2 Film & Design Pvt. Ltd.
|
RAJAT
KAMAL
&
50,000/- each Producer &
Director
(Cash
Component to be shared)
|
For incisively highlighting the acute
desperation of rural women and the problems they face from the lack of basic
and essential facilities for sanitation.
For explicitly and determinedly turning the
spotlight on the burning issue of rape in the country and the brutal
mentality that drives it.
|
9.
b
|
BEST
EDUCATIONAL FILM
|
Komal
&
Behind the Glass Wall
|
Producer: Climb Media India Pvt. Ltd.
Director:
Prashant
Shikare
&
Producer:
Gaahimedia
Director:
Aruna
Raje Patil
|
RAJAT
KAMAL
&
50,000/- each to the
Producer & Director
(Cash
Component to be shared)
|
KOMAL – For
effectively and concisely communicating essential information to children to
protect themselves from sexual abuse.
BEHIND THE GLASS WALL –For
its exhaustive exploration of the world and challenges of the autistic and
their caregivers.
|
10.
|
BEST
EXPLORATION/
ADVENTURE
FILM (TO INCLUDE SPORTS)
|
Life
Force – India’s Western Ghats
|
Producer: Grey Films India Pvt. Ltd.
Director:
Nallamuthu
Subbiah
|
RAJAT
KAMAL
&
50,000/- each to the Producer &
Director
|
For taking the viewer deep into the Western
Ghats and engagingly revealing its rare and incredible biodiversity.
|
11.
11
|
BEST
INVESTIGATIVE FILM
|
Phum
Shang
|
Producer: Films Division
Director:
Haobam
Paban Kumar
|
RAJAT
KAMAL
&
50,000/- each to the
Producer & Director
|
For
its quiet and fair-hearted investigation of the fishermen communities and
their floating dwellings on Loktak Lake, Manipur, even as government agencies
and conservationists struggle to save the lake.
|
12.
|
BEST
ANIMATION FILM
|
Sound
of Joy
|
Producer: Aura Cinematics
Director:
Sukankan
Roy
Animator:
Rishi Sanay
|
RAJAT
KAMAL
&
50,000/- each to the
Producer, Director & Animator
|
For its flowing and engaging animation style
in telling the stories from Vivekananda’s childhood and its emphasis on
developing the power of concentration.
|
13.
|
SPECIAL
JURY AWARD
|
A
Poet, A City & A Footballer
|
Producer:
Films
Division
Director: Joshy Joseph
|
RAJAT
KAMAL
&
50,000/- each to the
Producer & Director
|
For
demonstrating the power of cinema in weaving together life, poetry and
reflections of its protagonist in the face of impending death.
|
14.
|
BEST
SHORT FICTION FILM
|
Mitraa
|
Producer: Athaansh Communications
Director:
Ravindra
Jadhav
|
RAJAT
KAMAL
&
50,000/- each to the
Producer & Director
|
For
its empathetic portrayal of its pivotal character’s sexual orientation, and
the question of freedom around it. Shot in monochrome, the film adds to the
antiquity for the era it is set in.
|
15.
|
BEST
FILM ON FAMILY VALUES
|
Towards
the Silver Lining
|
Producer: Satyajit Ray Film &
Television Institute
Director:
Bhabani Tamuli
|
RAJAT
KAMAL
&
50,000/- each to the
Producer & Director
|
For
its sensitive portrayal of a paraplegic girl who builds a house for her
mother, and the touching bond between them.
|
16.
|
BEST
DIRECTION
|
Aaranyak
|
Director:
Renu Savant
|
SWARNA
KAMAL
&
1,50,000/-
|
For its existential definition of layered
thoughts and emotion that move through a reflective search to end in an
ironic arrival into the real.
|
17.
|
BEST
CINEMATOGRAPHY
|
Aamaar
Katha: Story of Binodini
|
Cameraman: Indraneel Lahiri
|
RAJAT
KAMAL
&
50,000/- to Cameraman
|
For
its stunning and sensual visual imagery that brings the story of Binodini
alive.
|
18.
|
BEST
AUDIOGRAPHY
|
Tender
is the Sight
|
Audiographers :
Anindit
Roy,
Ateesh
Chattopadhyay,
&
Ayan
Bhattacharya
|
RAJAT
KAMAL
&
50,000/-*
|
The film travels through the imaginary line of
manifest and unmanifest worlds of visual and sound that balance effortlessly,
imprinting the audience with a haunting aural experience.
|
19.
|
BEST
EDITING
|
Tigress
Blood
|
Editor:
Andi
Campbell Waite
|
RAJAT
KAMAL
&
50,000/-
|
For seamlessly structuring the inner worlds of
four tigress sisters through an incisive cinematic arrangement of their outer
spaces.
|
20.
|
BEST
NARRATION/ VOICE OVER
|
Nitya
Kalyani – Oru Mohiniyattam Patham
|
Narrator:
Ambooty
Devi
|
RAJAT
KAMAL
&
50,000/-
|
For
the depth of its research and its poetic rendition of the history of
Mohinyattam across the mighty empires along the riverbanks of Tungabhadra to
Thanjavur.
|
21.
|
SPECIAL
MENTION
|
a)
Gunjaa
b)
Seek and Hide
c)
5 O’Clock Accident
|
Director:
Mrinal Dev
Director: Manoj Kumar Nitharwal
Director: Ruchir Arun
|
CERTIFICATE
|
For
poignantly telling the story of Gunjaa, a young girl in Bihar, and her
innocent but ironic understanding of death.
For
its fine juxtaposition of a child’s expression of fear with the unawareness
of the parents to elucidate a complex story of paedophelia.
For
its gritty story and compelling treatment of a voyeuristic teenager and the
darkness that comes with his obsession.
|